Category: Under The Trenchcoat Of Sheep Incognito

Get the inside scoop from the artist’s mind – follow the thought process (if you can), find the hidden meaning and general interpretation of what the Sheep Incognito flock is about.

  • New Sheep Incognito Events Added for 2015

    Check the calendar for New Sheep Incognito Events Added for 2015

    I just added a few new events to our lineup for 2015 – among them some of the nation’s largest Irish Festivals…

     

    here is the link to my Event Calendar:

    http://www.sheepincognito.com/calendar/

    Prices at the shows are a bit lower than on my website, and, you won’t have to pay for shipping on items we have at the mobile gallery.

    Also, the mobile Gallery is pretty much the only place where you can snag the newest collector’s cards – we only print a small batch of each card, and they will not be re-printed. They fit neatly into a standard collecting album, so you can start your own mini flock of Sheep Incognito to carry around for a smile on the go.

    Come on by for a visit – the Sheep Incognito flock is sure to be somewhere near ewe soon!

     

  • New Shows with Sheep Incognito

    We’ve added a few new shows this year’s lineup in 2015 – because sheep like to be in new pastures occasionally.

    And this year, we decided to give some Irish/Scottish/Celtic Festivals a shot – after all, sheep are historically the most important animal for all those cultures.

    For the sheep, those cultures are very important as well – it keeps them in high demand wherever they go. They just keep on being the best mowers for hilly, grassy areas. The ones that produce the best tasting butter, cheese, and milk. The creatures that provide warm, fuzzy clothes and warm, fuzzy feelings around the world.

    So keep checking back for the updated show schedule, because we keep adding new events as the year progresses – we just might be right around the corner with some Sheep Incognito to make ewe smile!

     

    Of course, sometimes you might need a bit of smiley Sheep Incognito artwork between shows in your area – we have just the right thing for you: Stop by the Sheep Incognito Sheep Shop at charisma-art.com, and find prints, t-shirts, mugs, calendars, and jewelry to keep you happy until we see each other in person again.

  • Wall Spaces

    Office view
    View from the Sheep Incognito Office

    <strong>Walls – Things That Constrain Or Liberate</strong>

    We just spent a weekend in Virginia Beach – but “spent” seems the wrong word for <!–more–>
    the time we were
    awarded here. We gained a weekend here might be more appropriate.

    We did not come to enjoy the nightlife.
    We did not stop by to visit relatives.
    And we did not intend to just sit by the beach and fry our white, slightly overweight, beyond youthful beautiful selves.

    We came to work.

    And so we did.
    We set up the walls to house my paintings in my booth in a slight drizzle and wind – but once we had the walls in place, the drizzle and wind became merely a background sound that blended in with the sound of the waves.

    It was peaceful, despite the blusteriness outside.

    Nighttime found us in a nicer hotel – perfect beds – with Great Sheets this time! – in close walking distance from our office for the weekend.

    We discovered that the walls keep out the sounds of partying teenagers, belligerent drunks, and emergency vehicles beeping through town.

    As we were meeting and greeting all the lovely people during the Neptune Festival that meandered into our booth, it occurred to me, that most seem to have enclosed themselves in walls of some sort: social status to be upheld, protective walls to avoid others from seeing the real person or to protect against more pain, walls to ensure safety by keeping others out, others with walls that were pocked with hurt inflicted on them by others.

    But then there were some, that walked in – those that were open to life, other humans, and emotions, and all the “dangers” interacting with other humans entails.
    Their walls were either paper thin, more like rice-paper screens, or the walls were wildly decorated with wild colors – either way, they left an impression with me:

    Life is so much more than what we experience in our little cubicle in life.
    It pays to stand on the wobbly office chair and peer over the partition into the next person’s life – they might have a circus going on there!
    Or, they might have fallen under the weight of life, and need a helping hand to get back on their feet.

    As I was sitting in my cubicle for the weekend – on the boardwalk, warm breeze in my hair, warm smell of bolitas rising up through the air, up away in the distance, I saw a shimmering light, my head grew heavy and might sight grew dim, ….wait, wrong song…

    Anyway: as I was in fact sitting in my cubicle at the beach, with a warm breeze in my hair, sun sparkling on the water just a few yards away, and smiling people in my booth, i realized that the lower, thinner and crumblier our personal walls are, the more we expose ourselves to the real purpose of life: living life together, seeing each others real life going on, hearing the other’s pain, reaching out to help each other past what once kept us all apart and isolated.

    So, here, let me knock this panel out of my cubicle wall – welcome to an artist’s life of maaahem, incredible office locations, weird food choices, strange painting ideas, and thought processes that may be nearly impossible to follow. It’s where I live…

    And, though our pyrpose here at the beach was quite different from everybody ele’s, we still enjoyed the same effects from sharing airspace here in VA Beach:
    We did enjoy a lovely night-time dinner at our favorite cuban place.
    We did meet more than relatives – we met friends. New ones, old ones, and some we’ve known for a long time. A lovely reunion day.

    And, we did sit by the beach, and fry our flabby selves – it’s the effect of not having cubicle walls to hide behind.

     

  • COLOR! IT’S A MAGNET!

    COLOR! IT’S A MAGNET!

    Make your paintings draw people in, simply by using the right colors

     

    Color Psychology – it seems to be a thing some smart guy discovered at some point…you know, where the color red enhances appetite, where green is a soothing color, and blue has a calming effect.

    I’ve discovered that in fact, the guy has a point – on Wikipedia, we read that crime rates were reduced in neighborhoods where cool blue street lights were installed…red pills seem to act better as stimulants than the blue ones…yellow painted houses sell faster than any other color…

    So while it may seem random the way colors are used, in fact, there is a method to most madness (I would say, Jackson Pollock might be an exception to that rule…) .

    In the case of my paintings, I discovered that in fact, colors matter – a lot.

    They work as a magnet to the eye, if used in the right way. One artist’s orange painted with three colors may look entirely different painted by another artist, in terms of vibrancy and saturation.

    People often comment on my colors in my paintings – “Do you use a certain kind of paint?”, “How do you mix your colors to make them so vibrant” – there is a secret behind it, and I can at least share part of it with you:

    In keeping with the color psychology I mentioned above, keep in mind what emotions you want the viewer to experience when viewing the painting: do you want them to relax, calm down, feel serene or cool? Then having blues and/or greens as a main color scheme would be best.

     

    Off To LaLa Land
    Off to Lala Land by Conni Togel

    You want them to feel warm, fuzzy, comfy, embraced? Warm reds, earth tones, warm yellows are the ticket there.

    Just Lion Around
    Just Lion Around – by Conni Togel

     

    But that does not explain the vibrancy much, does it? Here’s the secret: clarity.
    Any time you mix paint colors on the palette, it will introduce a bit of muddiness  – that is based on the fact that most colors straight from the tube contain at least some part of another color in them: certain blues lean towards green (which, as you might remember from kindergarden, is a mix of blue with yellow). So when you try mixing a purple with a blue that contains a trace of yellow and a red than contains a trace of yellow, you will get some sort of brownish/green. Most certainly not a vibrant purple.

     

    Silence of the Lambs by Conni Togel
    Silence of the Lambs by Conni Togel

    So try this: find a blue that leans towards purple (a color wheel is a marvelous thing to possess – get one!) – the blue closest to purple is what you are aiming for. Then, rather than finding a orange-ish red to mix with, grab a magenta colored red – something that already looks almost purple. Mix them – and, OMG, it’s PURPLE!

    So the same method applies pretty much to any vibrant color you want to mix: keep them clear of added colors that are opposite on the color wheel, unless you are trying to make a grayish/brownish/blackish neutral.
    To make a vibrant orange, mix a warm/leaning towards orange kind of yellow with an orange/leaning towards yellow red. That will keep the colors clean, crisp, and un-muddy.

    Spring Awakening
    Spring Awakening Sheep Incognito painting by Conni Togel

     

    The basic lesson in all of this: grab a color wheel – pick a color you want to mix, use the two colors beside it to obtain that shade. The further apart the colors are on the wheel, the muddier they will get.

    So there ya have it – just a little secret to help you keep your painting glowing with color – it will magnetize your paintings!

  • REALITY TV SHOWS VS. REAL ART SHOWS

    Real World Artists vs. TV Reality Shows

    when one travels as much as we do to earn a living, one realizes rather rapidly that there is a very small limit of things one actually needs to live with.
    It is so much easier to not have to deal with lawns needing mowing, mail needing to be dealt with, utility bills to be paid, livingrooms to be vacuumed, cats to be fed, and all the other things that apparently are necessary when one has a house.

    But then, on arrival back at home, one realizes that there is some comfort in having a house that is attached to the ground, that does not involve a motor blowing out, tires going flat, or septic systems needing dumping (thank heavens for city sewer systems!).

    It is a constant dilemma – the freedom and rugged living conditions of the open road in contrast to the solidness of being home for the kids, the drama, and the bills.

    A nice balance of the two would be perfect, but alas, that is not my lot in life, at the moment.
    So when we are home, we do try to make the most of it – much of the time, we are painting, printing, embellishing, shipping, creating, doing taxes, running the teenies around to their various events, catching up with loved ones, and trying to pack all the homeowner requirements into a few days – all at the same time.
    It makes for quite a bit of a systematic maaahem mostly – life is too short to be bored, it would seem.

    How do other people find the time to amuse themselves about the current reality show family – the Kardashians, The Duck Dynasty, The 19 Kids and Counting Family, and on and on?

    My life contains enough drama for ten reality shows – so maybe someday, the tv producers will try to get a hold of me to show what a truly glamorous artist life really is about. I could show them the scene behind the art scene – you know, the one where the studio is not a pristine, funky, clearcut, halogen lighted, sparsely decorated in swedish minimalist furniture downtown loft, but a room in my house shared by kids’ craft projects, a stack of bills, tax papers, and receipts the size of Kilimanjaro, and about 30 paintings in various stages of completion, along with a disarray of dirty brushes, four pallettes with different color schemes, stray paint rags draped on various surfaces….

    Or the version where we are loading the trailer and car late into the night, to get up earlier than the sun to get on the road for a two day drive to wherever the reviews say the best/largest/funkiest/most lucrative/best visited art festival/fair/show takes place that weekend. Where we set up in rain/wind/heat/cold to brave the crowds/lack of crowds/rain/wind/heat/cold to make sales/make no sales and then reverse that whole process to start it all over again the next weekend.

    The real glamour of my artist life, though, quite real, quite honest: the people we meet on the way. The connections that run deeper than just a “How are ya doin’ today?” phrases we so easily toss out into the world.
    The connections that remind us that each of us are as individual as our own lives dictate us to be.

    Each one of us is our own story. It makes for a very interesting ready, if we only take the time to ready each person between the lines.
    Every one of us – real life drama sitcoms.

    And that is a show worth watching to me – it makes me like being an artist.

    So to the tv producers looking for a new reality tv show idea: come spend some time with me, I will show you the art scene that has been obscured by gallery opening H’ors d’oeuvres, little black dresses, clinking champagne glasses, and art critic reviews of carp schmiered on notebook paper that has been lauded the next “Up and Coming Young Artist”. It has nothing to do with art, artistic ability, but mainly with marketing – much like our food choices have generally become a choice of which picture we like better on the cardboard box it is packaged in.

    So to the tv producers looking for the next “Up and Coming TV Reality Show” – come hang out with us – the ones that wear torn jeans to just set up our gallery in a dusty place, to bring smiles to people that are walking around in shorts and tank tops clad in camouflage on a 95ºF day to see what real art and real artists are all about.
    You might find a whole different world to show the world – one where a cocktail dress is made to wipe paint brushes on, and a champagne glass might very well work better as a water jar to wash out the vibrant colors that were just applied to a canvas painted over five times.

    There, you will find people that genuinely make an impact on the real world – the world of reality shows that are not on TV. With actors that are not acting, but just doing what they do best: making the world a better place by making art for the real world.

    You ARE a TV Reality Show Producer? Awesome. Contact me, and I will help you uncover the “behind the scenes scenes” that will change the canvas of what the art scene is about.

     

  • SHEEP INCOGNITO GET SERENADED AT AMISH ACRES CRAFT FESTIVAL IN NAPPANEE INDIANA

    Barber Shop Quartet Serenades The Sheep Incognito Flock at Amish Acres Festival In Nappanee Indiana

    Today I had a BaahBaaah Shop Quartet step i to my Sheep Incognito Art booth at the Amish Acres Festival in Nappanee Indiana – they sang me a lovely song, which absolutely brightened my day!

    The world needs more men like that!
    One of them is 83 years old – he has been BaaahBaaahshop singin’ for 55 years!

    20140803-135223-49943918.jpg

  • WIP “GRASSHOPPER” SHEEP INCOGNITO

    NEW SHEEP INCOGNITO PAINTING ON THE EASEL: “GRASSHOPPER”

     

    this is a new painting I’ve started on this weekend – we have two shows happening this weekend in Nappanee, Indiana (Amish Acres Arts & Crafts Festival), and in Dublin, Ohio (Dublin Irish Festival), so we needed to beef up the walls of the booth…

     

    Title: GRASSHOPPER

    Size: 24″ x 48″

    Media: Oils on canvas

     

    Starting with a quick sketch of Burnt Umber thinned with orange oil, I first established the general shape and figure, then painted the background in.

    Initially I thought a black sheep would be the best, but with the background being a bit darker, the contrast will be to weak – so I am adding a warmer, wool colored touch to the sheep, to make it look less cold and stand out more.

     

    10511158_10152557329539144_8547880607881948877_n

    Close-up of "Grasshopper"
    “GrassHopper” close-up by Conni Togel

    10570318_10152552615419144_3584596933537218595_n

  • Sheep Incognito Back On The Trail!

    Finally – Sheep Incognito hit the road again!

    Forced vacations sometimes are good events – especially those that involve the Sheep Incognito flock getting stuck in Colorado….

    We seem to have found possibly the best car repair shop west ofthe Mississippi in Loveland Colorado: Stan’s Auto Service not only got the RV rolling again, but they were fantastic people to work with, and, for the first time in a year, the follow-up mechanic wasn’t shaking his head in despair at what crimes to the RV his predecessor had committed…in fact, he said “that was an excellent repair job they did”.
    Wow.
    Miracles DO happen.

    So, not only did we make it home from Colorado, we’ve also made it up to Pennsylvania for the 4th of July Westmoreland Arts & Heritage Festival, and are heading to the Plymouth, MI Art in the Park Festival for this weekend.

    Maybe we’ve finally turned the page to actually getting some time to paint and create, instead of sitting in repair shop waiting areas…

    We are pretty excited!

  • WIP: Stock Car At the Richmond Raceway

    WIP: Stock Car At the Richmond Raceway

    We are at the Richmond Raceway Complex this weekend for the 30th Craftsmen’s Classics Arts & Crafts Show.

    Which of course is the perfect environment for some more work on the new Sheep Incognito painting
    “Stock Car”.

    This one is much more work than I bargained for – progress has been slow, and there are sections I’ve repainted about five or more times.
    Which has to do with me not liking to work with acrylics, and the fact that details are not my specialty at all.

    This has been a bit of a mind- altering project for me in a way: where is the finish line on a painting? Is a painting ever really finished, or is each session the beginning of a new artistic path?

    Here is the current status of “Stock Car” – it is 16 inches x 16 inches, acrylics on canvas, and the unframed painting is priced at $795.

    We will have giclee prints of it available , both on paper and on canvas.

    Email me if you would like to offer Stock Car a living home – I have a waiting list in place, but it is still short enough to give you a good chance of owning the original painting.

    20140315-154432.jpg

    20140315-154446.jpg

  • Office Work – Is the death of artistic creativity….

    After spending most of my day working on the paperwork associated with running an art business, I have decided that I am not made of the stuff that it takes to be a “paper pusher”.

    The two brain hemispheres that it requires to be both a creative artist, and a business owner/tax filer just do not work well together. I can keep my desk rid of piles of random bills, receipts, invoices, show applications, sales records, to-do lists, and idea sketches. I can answer emails in a timely manner, and I can get all bills paid, all taxes filed on time, and have everything neatly sorted into my filing cabinet. I can post daily on Facebook, Twitter, Pinterest, Flickr, Instagram, Etsy, and my website.

    I can also break out my pallette, sketch out a brilliant idea for a painting, lay out my colors, pick the right brushes, dance with the brushes in hand, turning a blank canvas into something that makes people happy, sad, or silly. I can evoke emotions adult people had long forgotten.Taking pictures along the way to share with my followers on Facebook. Gathering Ideas for a grownup children’s book. Coming up with new titles, new color combinations, new projects to work on. I love doing that.

    What I seem to be NOT able to do, is to do both processes together, without compromising the quality of either part. My desk is usually a mayhem of various papers in varying stages of “dealt with”. Paintings – I usually have about ten standing around unfinished, abandoned, or not even started yet. Projects – I have a list as long as a diving board, with not enough time to even get started on one of them.

    How do you keep it all rolling smoothly without dropping the ball on either one? It seems as soon as I devote time to one side, the other falls apart. I’m frightened of the day the IRS decides to audit me – how will anybody  be able to find anything or make sense of any of it?

    I’ve found that the more I work on the office/business side of things, the less creative I become. It seems to be a downward spiral…

    If you are of the creative sort – how do you keep track of everything without losing the ambition to create?